
Hi folks, hope you all had a good Christmas/Hanukkah/Holiday. In case you didn't get enough stuff under your tree, lucky you, I have another gift. A brand new Album of the Week review, back from hiatus!
I don't quite know what my deal has been lately, but I've been on a bit of a Dylan fetish. I ordered a poster (for those of you at Luther, the poster that used to hang in my and Klein's dorm), have bought/have been gifted two albums, and was gifted a pair of Wayfarer sunglasses, the kind he wore in the poster I bought two subjects ago. Maybe I have a seasonal mancrush going on.
But then gain, how can you not have a mancrush on a guy who produces albums like "Blood on the Tracks"? I'm sorry folks, but this is fantastic music. Actually, you know what this is? This is Real music. This is like, essential music. Let me tell you why.
If Wikipedia is to be believed, and I'm sure it is, Blood was recorded shortly after Dylan's separation with his wife at the time, thus serving as the inspiration for most of the songs. And you can certainly tell. I think the most distinctive part of this album is the intense, powerful emotion that radiates forth from Bob's singing. It's emotional involvement in a song brought to the cusp of being tangible, you almost feel as if there is a man sitting next to you ripping his heart out and putting it on a plate. It's like Bob Dylan is forcefeeding you, the listener, his most inner turmoil. Now who doesn't want to be witness to that?
I know, I know, some of the more fragile types out there probably don't want to subject themselves to tales of emotional damage and broken relationships. But along with the melancholy is a certain sort of, well, let's call it sweetness. Maybe that's not the right word, but frankly, I can't think of anything better. Although the subject matter is depressing, it's not as if the album is a dirge. There's a sort of je ne sais quois that allows songs of such desperation to be so pleasing to the ear.
As you no doubt have realized, I have no idea what I'm talking about. I haven't named any songs, have gone into no detail. That's not to say I haven't listened to this record, I've listened to it almost constantly for a week. But I decided it would be foolish for me to try to review music in the same way Rolling Stone reviews music. I decided it's better for me to review the broad wash of the music, to evaluate what it made me think about or feel.
But since we're talking about details, I think my favourite songs thus far would have to be "Tangled Up In Blue," "Simple Twist of Fate,""Shelter From the Storm," and "Buckets of Rain." A few of these will probably be instantly recognizable to the common listener, but that's okay. They're good songs, there's a reason they're recognizable.
What I like most about Dylan's songs are the fact that they actually have something to say. They tell a story, they don't attempt to reduce the vagaries of human interaction into some sort of bullshit cliché. I think Dylan has a gift for diction and the fitting of words into songs. He can manage to cram in 15 syllables in the space a lesser singer could only do 4, and still make it sound elegant and musical. It must be liberating to have such a gift to tell the story you want to tell to music, and the world is benefiting from said liberation.
You know, most of this album is quiet and acoustic, suitable for the subject matter. It's the kind of music that's probably best listened to alone, or if you've been recently jilted. A lot of folks object to Bob's nasally voice, but set to the simplicity of a few guitars, a bass, and occasionally some drums, it sounds like the sweetest sound on earth. I would highly recommend checking this album out. Probably don't want to play it at your New Year's party, but I'm sure it would be good once all the guests have left.





